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Film awards: Explore the Master of Fine Arts (MFA) in Film-Television Producing offered by Regent University.

MFA in Film-Television – Producing

Be Mentored. Produce. Succeed.

The Master of Fine Arts in Film-Television – Producing is an on-campus terminal degree for students who desire to teach or work in the producing and executive sectors of the entertainment industry. You will learn the full spectrum of the film & TV business, including how to develop ideas, market your project for global distribution and oversee the financial side of production. You will also explore what it means to be a principled producer and leader.

On Campus
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January 10, 2022
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Advance Your Career

Establish your reputation as a trusted professional with this MFA degree.

Enhance Your Expertise

Master the art of editing, sound, lighting, scheduling, budgeting, marketing and more for film & TV.

Deepen Your Knowledge

Understand preproduction, production and postproduction using multi-camera techniques.

Ideate Creative Projects

Practice story structure and writing for film & TV, inserting your creative voice.

To learn more about this program, please complete the Request Information form on this page.

On completing the MFA in Film-Television – Producing degree, you will be able to:

  • Apply your knowledge of the production process, from script to screen.
  • Apply various techniques of editing in planning and visualization.
  • Create a plan for financing and marketing a project.

Career Opportunities

  • Producer
  • Location manager
  • Executive producer
  • Marketing/distribution director
  • Line producer
  • University professor
12%
Projected growth in employment of directors & producers (2016-26)

Students work with faculty to learn about academic requirements for publication, determine the topic/set-up of culminating projects, complete necessary preparation to begin projects, and arrange for committee assignments. Pass/No Pass.

Required for those who plan to check out equipment for media projects. Covers in an intensive time frame: video camera, grip/electric, audio, set safety and protocol.

Focus is on two aspects of the motion picture industry, proposing a project through a prospectus and designing and creating a film production company. Emphasis is placed on the role of the producer in these endeavors in the independent film market as well as productions involving participation of major Hollywood entities.

Survey of the work of the organizational core of production crew, including the unit production manager, the first and second assistant directors, the production office coordinator and the production auditor. Learn how a film is managed from producing and logistical point of view during production.

Provides the students with an opportunity for learning preproduction, production and postproduction of television programs using the multi-camera production techniques typical in half-hour episodic television, soap operas, game shows and talk shows. Student scripts are selected competitively from appropriate genres. Qualifications for crew positions based on experience and level of completed coursework. Prerequisite or co-requisite: CTV 505.

Development and practice of editing theory and style, including the practical impact on filmmaking. Analysis of the evolution of editing aesthetics in planning and visualization.

The beautiful as applied to cinema. An ethics and theology of entertainment. The spiritual challenges of the visual storyteller’s vocation. Understanding the challenges of creating narratives intentionally from a Christian worldview.

Critical and historical study of film and television with a topical focus. Different areas of scholarly study will be examined each time the course is offered; may be retaken for the study of a new topic. Some of the recent areas studied include: Film and Television Comedy, the Western, Film Noir, African-Americans and Women and Hollywood.

Study of the process of computerized scheduling and budgeting as applied to the motion picture and television. Emphasizes techniques of efficient scheduling, real-world cost estimation and other issues of motion picture preproduction. Assumes a working understanding of MS Word and computer literacy. Permission of Instructor is required.

Forms of media production as they relate to raising, financing and creating a marketing plan for a project. Examination of traditional theatrical distribution as well as new distribution avenues, including web and mobile technologies.

Affords the student an opportunity for participation in the production of a short film or television project. Student scripts selected competitively from all genres. Normally offered during the summer with the expectation that students will work on location for two or three weeks with shoot-days averaging 10-12 hours. Qualification for crew positions based on experience and level of completed coursework. May be repeated up to 6 credit hours. Permission of instructor is required.

Examines the role of the sound crew in production and post-production. Covers sound theory as well as applied practices with location sound recording and the process of audio post-production. Topics include editing dialogue, sound effects, ADR, and creating a final sound mix with Regent’s Pro Tools editing and mixing system.

Provides opportunities for practical and hands-on experience in a given area such as magazine, newspaper, public relations, performing arts, film arts and television arts. (Pass/No Pass) Note: See listing under specific Schools. All MFA or M.A. practicum have the 80 designation. Theatre practica also have a 681/781 designation.

Designed to demonstrate professional competence and creativity in the student’s specific area of study. Portfolios should be done close to the end of the program of study. May be repeated for up to six credits. Prerequisite: COM 691. All portfolios, whether MFA or M.A., have the 98 designation. Pass/No Pass.

A breakdown of Aristotle’s Poetics as applied to cinema. Includes a history of narrative from the fable through post-modern storytelling, and an exhaustive analysis of all the elements that go into a satisfying and socially redemptive story. Geared toward the production of complete, worthy, and commercial feature film projects.

An analysis of the structural components of a variety of TV narrative program forms, such as situation comedies and hour-long dramas. Includes survey of markets and pitching techniques.

Builds upon the skills of SSW 513. Skills course that guides from the idea through treatment and step-outline to a finished first draft and the marketing of both the script and the writer. Special consideration given to format, story narration and dialogue polishing.

2021-22 Semester Check-In Deadlines

All new students are expected to check-in for the semester two weeks before the session start date. Students should apply, be accepted, enroll in their first courses, and confirm a plan to pay for their courses prior to this date.

SessionSemester Check-InSession Start Date
Session AFriday, August 13Monday, August 23
Session MFriday, September 10Monday, September 20
Session BFriday, October 15Monday, October 25
Session CTuesday, December 21Monday, January 10
Session TFriday, January 28Monday, February 7
Session DFriday, March 4Monday, March 14
Session EFriday, April 29Monday, May 9
Session FFriday, June 10Monday, June 20

Admissions Requirements

Step 1: Apply to Regent University

Step 2: Complete Your Admissions Questionnaire

  • After you submit your application, you will receive a link to complete the required admissions questionnaire.

Step 3: Submit Your Unofficial College Transcripts

  • Email your unofficial college transcripts to apply@regent.edu using the subject line: Unofficial Transcripts.
  • Upon conditional acceptance, Regent University will attempt to obtain your official transcripts from your U.S. degree-granting institution.
  • International transcripts must be evaluated by an NACES-approved company.

Step 4: Submit Your Government-Issued ID

  • Email a photo of your government-issued ID to apply@regent.edu using the subject line: Government ID.
  • Please note that all items submitted as part of the application process become the property of Regent University and cannot be returned.

PART-TIME STUDENTS

DegreeTuition Cost Per Credit HourAverage Credit Hours Per SemesterAverage Tuition Per Semester
Master of Arts (MA)$6506$3,900
Master of Fine Arts in Film-Television (MFA)$6506$3,900
Master of Fine Arts in Acting (MFA)$8956$5,370
Doctor of Philosophy in Communication (PhD)$9253$2,775
Doctor of Strategic Communication (DSC)$9253$2,775

Full-Time Students

DegreeTuition Cost Per Credit HourAverage Credit Hours Per SemesterAverage Tuition Per Semester
Master of Arts (MA)$6509$5,850
Master of Fine Arts in Film-Television (MFA)$6509$5,850
Master of Fine Arts in Acting (MFA)$8959$8,055
Doctor of Philosophy in Communication (PhD)$9256$5,550
Doctor of Strategic Communication (DSC)$9256$5,550

Student Fees Per Semester

University Services Fee (On-Campus Students)$800
University Services Fee (Online Students)$650

Part-Time Students

DegreeTuition Cost Per Credit HourAverage Credit Hours Per SemesterAverage Tuition Per Semester
Master of Arts (MA)$6506$3,900
Master of Fine Arts in Film-Television (MFA)$6506$3,900
Master of Fine Arts in Acting (MFA)$8956$5,370
Doctor of Philosophy in Communication (PhD)$9253$2,775
Doctor of Strategic Communication (DSC)$9253$2,775

Full-Time Students

DegreeTuition Cost Per Credit HourAverage Credit Hours Per SemesterAverage Tuition Per Semester
Master of Arts (MA)$6509$5,850
Master of Fine Arts in Film-Television (MFA)$6509$5,850
Master of Fine Arts in Acting (MFA)$8959$8,055
Doctor of Philosophy in Communication (PhD)$9256$5,550
Doctor of Strategic Communication (DSC)$9256$5,550

Student Fees Per Semester

University Services Fee (On-Campus Students)$750
University Services Fee (Online Students)$600

*Rates are subject to change at any time.

Estimated Cost of Attendance: View the estimated cost of attendance to see an example of the total cost of tuition and fees.

Technology Recommendations for MFA and M.A. Film-Television (FTV) Majors

In the School of Communication & the Arts, technical tools are important for effectively accomplishing class projects. While we don’t endorse any platform in particular, we offer the following guidelines:

1. Am I required to buy a camera or other equipment?

No. Some students buy their own, but Regent University’s FTV Equipment Office stocks cameras and other equipment needed for FTV class assignments.

2. Am I required to buy a computer or software for editing?

Regent strongly recommends that FTV students purchase their own system for editing class projects. FTV courses require students to shoot and edit their own class projects.

3. Does Regent provide computers or software for editing?

Regent recommends that you purchase your own system for editing class projects. For general coursework, there are several computer labs on campus, but there are no general editing labs.

4. Can I use the computer I already own?

An older computer might run new editing software, but performance will be slow and possibly unstable. If your system is more than three years old, or does not meet minimum software requirements, you should consider a new computer system.

5. Can I use the editing software I already own?

Your system must be able to input, edit and output HD video in various formats. It must also be able to create titles and layer several tracks of audio (dialogue, sound effects and music). Depending on your needs, this can be as basic as the free software that often comes bundled with computers, or as elaborate as the professional systems on the market.

6. Is there an advantage to buying a new system?

Buying a new system gets you a warranty from the manufacturer. Manufacturer warranties are usually one year, and for an additional cost, can be up to three years. A newer system is faster and more stable, which can make you more productive with less waiting and frustration.

7. What are the recommended desktop and laptop configurations?

Because requirements are so complex and varied, we strongly advise that you follow your software’s recommended — not the minimum — configuration for whichever system you choose.

8. PC (Windows XP) or Mac (OS X)?

Both platforms are viable for post-production work — assuming proper configurations in both cases. However, Apple editing software only works on Macs. Avid and Adobe software work on both Macs and PCs.

9. Laptop or desktop computer?

While laptops offer portability, properly configured systems are costly and offer limited upgrade capability. In general, properly configured desktops are less costly than laptops and easier to upgrade.

10. What editing software do I need?

Depending on your editing needs, there are several good choices. Refer to #5 above.

11. Do I need a DVD burner for my computer?

Regent recommends that you have a DVD burner for completing assignments and for data backups, but it’s not required. External, name-brand USB DVD burners can be purchased for under $30.

12. Do I need an external hard drive?

YES! The faster and higher the capacity the better. USB 3 for PCs and Thunderbolt or USB 3 for Macs.

13. Does Regent University provide support for my computer and/or software?

No. Computer or editing software problems should be handled by the manufacturer or dealer. Regent recommends that you buy an extended service agreement with help-desk support if you’re not comfortable troubleshooting on your own.